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We prefer Shakespearean Sonnets, reflections on Space and Time, and posts along the lines of:
LXXXIV Who is it that says most, which can say more, Than this rich praise,--that you alone, are you? In whose confine immured is the store Which should example where your equal grew. Lean penury within that pen doth dwell That to his subject lends not some small glory; But he that writes of you, if he can tell That you are you, so dignifies his story, Let him but copy what in you is writ, Not making worse what nature made so clear, And such a counterpart shall fame his wit, Making his style admired every where. You to your beauteous blessings add a curse, Being fond on praise, which makes your praises worse. --William Shakespeare
CXXIII No, Time, thou shalt not boast that I do change: Thy pyramids built up with newer might To me are nothing novel, nothing strange; They are but dressings of a former sight. Our dates are brief, and therefore we admire What thou dost foist upon us that is old; And rather make them born to our desire Than think that we before have heard them told. Thy registers and thee I both defy, Not wondering at the present nor the past, For thy records and what we see doth lie, Made more or less by thy continual haste. This I do vow and this shall ever be; I will be true despite thy scythe and thee. --William Shakespeare
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CXXXIV So, now I have confess'd that he is thine, And I my self am mortgag'd to thy will, Myself I'll forfeit, so that other mine Thou wilt restore to be my comfort still: But thou wilt not, nor he will not be free, For thou art covetous, and he is kind; He learn'd but surety-like to write for me, Under that bond that him as fast doth bind. The statute of thy beauty thou wilt take, Thou usurer, that putt'st forth all to use, And sue a friend came debtor for my sake; So him I lose through my unkind abuse. Him have I lost; thou hast both him and me: He pays the whole, and yet am I not free. --William Shakespeare
Best Regards,
William Einstein Shakespeare :)
It is not sufficient to see and to know the beauty of a work. We must feel and be affected by it. -Voltaire, Taste, 1764