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The new Forum may be found at http://booksliterature.com/ .
The former post was removed as it violated our user agreement, or it did not add to the "Great Books" conversation in a constructive manner.
In our ongoing effort to ensure quality discussions throughout our forums, from now on only registered members may post. Spam will not be tolerated. If you would like to help moderate, please contact "jolly roger ship @ yahoo . com".
To post please register at http://jollyroger.com/greatbooksforums or at JollyRogerWest.com Great Books Forums.
We prefer Shakespearean Sonnets, reflections on Space and Time, and posts along the lines of:
CXXI 'Tis better to be vile than vile esteem'd, When not to be receives reproach of being; And the just pleasure lost, which is so deem'd Not by our feeling, but by others' seeing: For why should others' false adulterate eyes Give salutation to my sportive blood? Or on my frailties why are frailer spies, Which in their wills count bad what I think good? No, I am that I am, and they that level At my abuses reckon up their own: I may be straight though they themselves be bevel; By their rank thoughts, my deeds must not be shown; Unless this general evil they maintain, All men are bad and in their badness reign. --William Shakespeare
We must be steady enough in ourselves, to be open and to let the winds of life blow through us, to be our breath, our inspiration; to breathe with them, mobile and soft in the limberness of our bodies, in our agility, our ability, as it were, to dance, and yet to stand upright. T. S. Eliot
It is our continuing goal to foster the world's greatest converstation.
In the future, please register and make all posts to http://jollyroger.com/greatbooksforums,
and/or join the forums Great Books & Philosophy Forums @ jollyrogerwest.com.
The beautiful rests on the foundations of the necessary.
Best Regards,
William Einstein Shakespeare :)
No person who is not a great sculptor or painter can be an architect. He can only be a builder. -John Ruskin, Lectures on Architecture and Painting, 1853