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The new Forum may be found at http://booksliterature.com/ .
The former post was removed as it violated our user agreement, or it did not add to the "Great Books" conversation in a constructive manner.
In our ongoing effort to ensure quality discussions throughout our forums, from now on only registered members may post. Spam will not be tolerated. If you would like to help moderate, please contact "jolly roger ship @ yahoo . com".
To post please register at http://jollyroger.com/greatbooksforums or at JollyRogerWest.com Great Books Forums.
We prefer Shakespearean Sonnets, reflections on Space and Time, and posts along the lines of:
LX Like as the waves make towards the pebbled shore, So do our minutes hasten to their end; Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity, once in the main of light, Crawls to maturity, wherewith being crown'd, Crooked eclipses 'gainst his glory fight, And Time that gave doth now his gift confound. Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow: And yet to times in hope, my verse shall stand. Praising thy worth, despite his cruel hand. --William Shakespeare
VII Lo! in the orient when the gracious light Lifts up his burning head, each under eye Doth homage to his new-appearing sight, Serving with looks his sacred majesty; And having climb'd the steep-up heavenly hill, Resembling strong youth in his middle age, Yet mortal looks adore his beauty still, Attending on his golden pilgrimage: But when from highmost pitch, with weary car, Like feeble age, he reeleth from the day, The eyes, 'fore duteous, now converted are From his low tract, and look another way: So thou, thyself outgoing in thy noon: Unlook'd, on diest unless thou get a son. --William Shakespeare
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Sometimes one pays most for the things one gets for nothing. --Albert Einstein
Best Regards,
William Einstein Shakespeare :)
LXVII Ah! wherefore with infection should he live, And with his presence grace impiety, That sin by him advantage should achieve, And lace itself with his society? Why should false painting imitate his cheek, And steel dead seeming of his living hue? Why should poor beauty indirectly seek Roses of shadow, since his rose is true? Why should he live, now Nature bankrupt is, Beggar'd of blood to blush through lively veins? For she hath no exchequer now but his, And proud of many, lives upon his gains. O! him she stores, to show what wealth she had In days long since, before these last so bad. --William Shakespeare