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Posted by Ron Price on May 24, 19104 at 10:33:11:
A NEW CENTURY
It was the claim of Canadian poet Charles G.D. Roberts that Canadian Poetry was a young shoot which began to bud forth from the parent stem of English poetry in the early 1880s. It started under a happier history than the start of its American predecessor during the American Revolution(1775-1783). It developed more rapidly and attained by the 1930s an authentic separate existence. The poets of this first half century(1883-1933), according to Roberts, were all incorrigible and unrepentant idealists. Canadian poetry has been, of course, overshadowed by its great rivals, English and American poetry, but it was not obliterated by that poetry. At some time in the late 1940s, perhaps as early as 1933, my mother, another incorrigible idealist, began to write poetry. My mother was there at the start, although I'm sure she did not know it, the start of the second half of the first century of this new tradition of authentic poetry: Canadian. By 1983 and the start of the second century of authentic Canadian poetry, I like to think that I began to contribute to a distinctively Canadian poetry, even though I was living by then in Australia.
-Ron Price with thanks to Charles G. D. Roberts “Canadian Poetry in its Relation to The Poetry of England and America, March 18, 1933, in Canadian Poetry.
I had no idea in that winter
of a certain Tasmanian discontent1
that I was about to take part
in the second century
of Canadian poetry
removed half a world away
as I was in the Antipodes.
Poetry seemed to grow slowly
in my hybrid heart
and did not seem to really
find its warm, inviting, home
until I neared fifty and lived
in the most remote city
on the planet.2
Insensibly, there grew
that calm, coolness,
silent garden-growing mood.
A wooing of inspiration amidst
a constant habit of labour
brought a steady creep of ideas
out of my head which fell
naturally into shape or
were agonizingly located
and I was interminably doing,
doing.3
1 1980: my first poem
2 Perth Western Australia
3 This stanza draws from Rimbaud, Conrad and G.H. Mead.
Ron Price
May 16 2004
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