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: : : Marble Lady painting by Jaisini : : : : : : In his art, Jaisini insists on overcoming of the dehumanization, the suppression of sensuality. : : : In every historical period there are ideas and problems, which are expressed and will not come to p. : : : Jaisini seeks to identify this idea in the present, excavate it from the past, and invent it in a new way for the future. In the murky, anxious world of ours, in the midst of the soul's confusions and the multiplying moral losses, the artist seeks and always finds some big and small islands of "eternal truths," and erts the indestructible age-long parables that reveal these truths in the new light, in his own system of sign-images. : : : I realized that the more you look at "Gleitzeit" works and think, the more you see, feel, and understand, but never completely, as given work always has too many aspects. There is always some kind of "space" in the painting, on which the observer feels free, without a persistent prompting of the artist, to use his own system of perception. : : : To me, "Marble Lady" seems as a late modern modification of the Greek myth of the sculptor Pygmalion, who used his illusionist skill to satisfy a private fantasy of the ideal woman. : : : Disappointed by the imperfections of the opposite , he created Galatea out of marble and during a festival in honor of Venus, Pygmalion prayed for a woman as perfect as his statue. : : : Venus answered his prayer by bringing his statue to life and eliminated the boundary between reality and illusion. In Jaisini's "Marble Lady," the object of the intense desire remains alluring, yet perpetually distant. Desire of the others is often imagined in terms of a . The so-called civilized man can be considered in his delight of female form. : : : In "Marble Lady," we find the two types of spectatorship: the masculine and the non-masculine. Therefore, an image of the woman is defined through the desire of both spectators, the unmanly poet and the savage who may well be a subscriber to "P*e*n*i*s Power Quarterly." The statue of Galatea was and still is the symbol of fictional perfection, a result of the search for ideal woman that parallels the artist's own creative urge. : : : A post-feminist culture has found out a way to reinvent the woman as she once was: eager to appear The "Marble Lady" enables male domination by being unreachable and desirable. The construction of such a female identity fiction can inspire both high and low natures. In all of his works, Jaisini unites the high and low principles, integrating art into the material life, breaking out of art's ivory tower. : : : "Marble Lady" is a compact, pyramidal composition of the "trio." As in all of his works, Jaisini subdues the figures to the articulation of line and its rhythmic connection between forms in space, a sort of ytical process, based on the line swinging which starts up ideas, shapes, and colors. The line arabesques are these highly individual textures of Jaisini's art. A decorative role of the painting's color is to create the temperature contrast of the heated environment with the marble-cold statue. : : : In modern and postmodern times, there are increasingly fewer outlets for sensual urges and desires, which lay at the origin of human society that imposes restrictions. uality remained beyond the scope of most art history. Interaction between male and female is still responsible for the continued functioning of the universe. : : : By Yustas Kotz-Gottlieb : : : New York 2003 : : : Text Copyright: Yustas Kotz-Gottlieb : : : ALL RIGHTS RESERVED : : : Kotz-Gottlieb keeps the page-turner of a dialogue with many voices vital and engaging in opposition of opinions and search for something that explains mystery of Jaisini's invibisle art. There is a flurry of surprising interpretations, reactions, emotions, personal revelations all directed to try to unravel puzzles of Gleitzeit art of Paul Jaisini, also known as Invisible, asking how much of this is fact and how much is fiction? It's challenging, exciting, and a whole lot more. : New York Code Orange Jaisini new art series : The creativity of Jaisini is not designed to be preaching or too critical. Paul Jaisini reached his level of mastership to know exactly that life is worth living to look in the future having no regrets about the past. : In the aftermath of sept 11 there was a motto for New Yorkers to go on living and conducting business as usual in order to fight the very concept of terrorism, fear. And being cosmopolitan as Londoners or people of world greatest cities New Yorkers prove to be hard to scare. : The spirit of a great city is reflected in the cutting edge works of Jaisini. There is a given subject and a special atmosphere but to Jaisini it would not fulfil his artistic ambition to simply record the rubble and destruction. : Every picture dedicated to NYC in code orange is a mini scenario for a performance with different characters, roles, subtexts and screenplays. Every character in Jaisini's visual rendition of NYC in code orange is usually a typical New Yorker conducting daily life and encountering an unusual situation as viewed by the art director who came up with his own vision of what life could be like in a city that is no longer troubled. : To create such visual scenarios technically, Jaisini had to work with photos as he would with oil paintings or watercolors i.e. manually and without any automatic options, as this would reduce the degree of realism he aimed to achieve through the control of light and pictorial depth. : Perhaps what has been created in the New York series is a glimpse of what New York streets could look like in a futuristic utopia with perpetually developing scenarios of human life. : Jaisini shows that unlimited potential exists in a snap shot of contemporary life. That is why Jaisini's art works are highly demanded and anticipated. : Yustas Kotz Gottlieb Text Copyright New York 2003 : All rights reserved : http://www.lulu.Paul-Jaisini/ : Art of Paul Jaisini by Yustas Kotz-Gottlieb : Who is Artist Paul Jaisini : New York Code Orange Jaisini new art series : The creativity of Jaisini is not designed to be preaching or too critical. Paul Jaisini reached his level of mastership to know exactly that life is worth living to look in the future having no regrets about the past. : In the aftermath of sept 11 there was a motto for New Yorkers to go on living and conducting business as usual in order to fight the very concept of terrorism, fear. And being cosmopolitan as Londoners or people of world greatest cities New Yorkers prove to be hard to scare. : The spirit of a great city is reflected in the cutting edge works of Jaisini. There is a given subject and a special atmosphere but to Jaisini it would not fulfil his artistic ambition to simply record the rubble and destruction. : Every picture dedicated to NYC in code orange is a mini scenario for a performance with different characters, roles, subtexts and screenplays. Every character in Jaisini's visual rendition of NYC in code orange is usually a typical New Yorker conducting daily life and encountering an unusual situation as viewed by the art director who came up with his own vision of what life could be like in a city that is no longer troubled. : To create such visual scenarios technically, Jaisini had to work with photos as he would with oil paintings or watercolors i.e. manually and without any automatic options, as this would reduce the degree of realism he aimed to achieve through the control of light and pictorial depth. : Perhaps what has been created in the New York series is a glimpse of what New York streets could look like in a futuristic utopia with perpetually developing scenarios of human life. : Jaisini shows that unlimited potential exists in a snap shot of contemporary life. That is why Jaisini's art works are highly demanded and anticipated. : Yustas Kotz Gottlieb Text Copyright New York 2003 : All rights reserved : http://www.lulu.com/Paul-Jaisini : Art of Paul Jaisini by Yustas Kotz-Gottlieb : Who is Artist Paul Jaisini

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