Posted by Marko on August 29, 19101 at 01:42:41:

In Reply to: Re: K. 223 and "cadence frigienne" posted by Stephen on August 28, 19101 at 05:42:13:

: Marko
: Yes, K 223 is a wonderful piece. Those chord changes are very popular indeed(see K 27), even in today's contemporary music (example - Fever, Sixteen Tons, All Along The Watchtower, etc.)

Yes, Stephen, I have almost forgotten: we can hear it even in heavy-metal, techno...! How comes people like it so much? If You ask me, every time I hear this combination of chords my heart hurts and I desire to cry, and I can't explaine why. There must be some chemistry in those chords! How comes they strike Your heart so directly?

: Speaking of chords, I'm working on K 215 and here the main course is suspensions. The chords are purposely left unresolved as a theme (I and V played together), and in the second part the heavy handed dissonances are remarkable, only to be answered by light, airy, open chords that are totally refreshing. Listening to this piece, I thought of Brahms,Debussy and Ravel.

Yes, and You reminded me that I should play more Brahms, shame on me! Those suspensions of chords are simply extraordinary! I think Scarlatti was the first man who dared to do that! And once again I have to mention Beethoven! He does the same thing in "Appionata", second movement, first variation, bars 17-32 and in "Les Adieux"(Op. 81a), first movement, last page, bars 230-234 and 239-241 as well!
Speaking of those heavy handed dissonances, do You strike those chords instantaneously or You make a slight arpeggio?

: Boy, I love Scarlatti.

I hope He can see that from His place in Paradise!
: Stephen

Marko

Follow Ups:

• Re: K. 223 and "cadence frigienne" Stephen 06:02:47 8/30/101 (1)
  • Re: K. 215 and a slight arpeggio Marko 10:38:52 8/30/101 (0)
• Re: K. 223 and "cadence frigienne" Marko, 05:55:46 8/30/101 (0)

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